Tuesday, 19 April 2016

Tool Aid - preparation for assessment

At college  we have been focusing on a new unit with the theme,  "Tool Aid". In preparation for this unit, we have been looking at a variety of different tools. Our main focus has been on gardening and Diy tools. We are also able to expand by thinking about other types of tools,  such as: machinery,  kitchen utensils or stationary.
Over the last couple of days,  I have been drawing a selection of tools from life, using a variety of media to see what works well through tonal value and detail. I have used Indian ink, charcoal,  pencil,  pen, charcoal pencils and watercolour pencils throughout this design process.  So far, I feel that the Indian ink had the best overall effect,  I liked the way there was a natural flow when creating lines, and by adding water, the ink could be manipulated into a watered-down effect . I also discovered that it was quick and easy to use.  My least favourite media was the watercolour pencils,  I felt that the colours were not strong enough to to make the object feel solid and heavy aswell as the tonal value not being as good as it could be.
I have enjoyed this process, I now have a better understanding of why artists use a certain type of media to express and replicate an object from still-life observation.






Wednesday, 13 April 2016

#dak01 Art Exhibition


A few days ago I went to an Art Exhibition  in Jedburgh, in the Scottish Borders.  It was a 3 day exhibition where a small group of Artists gathered to express their view through their work on a large scale.
The first Artist I met Was James Wyness, he used music,  noise and sound in space for his inspiration. I was able to witness his work in action as he played various sounds through a speaker. His investigation was to see the behaviour of amplified and acoustic sound and music in a large air space to see if there were variations through interventions.  The sounds were mainly high pitched,  single notes combined together to make 'noise', there was no rhythm or music flow. Although this was an interesting art form,  I didn't really take to it but it may be more appealing to others.

 I also saw the work of Graham Patterson, unfortunately I did not get to meet him but his work instantly grabbed my attention.  The main thought for Graham's work was to recreate the the movement of water and patterns from the sea.  For one of his art pieces,  he had a bowl of water taken from the sea (spittal,  I think) sitting infront of a fan heater and projector.  The heater was situated at the side of the bowl and positioned so that the air was directed onto the water. The room was dark, so that the light from the projector could reflect the wave-like patterns onto the wall. The pattern was constantly moving,  resembling a steady gentle wave. This was very inspiring as I was thinking about using a water /wave idea for my photography unit at college.  The other art piece he had, was using light reflected through a smooth circular piece of glass onto the wall to create a different pattern.  The glass was attached in front of the light, from the ceiling and was free to move as it wanted. This effect produced a variety of circular patterns on another wall in darkness .  They made me think about sunlight glisten on a gentle sea on a beautiful day.  I really enjoyed his work and would be interesting in seeing more.






 Then there was an Artist Felicity Bristow who had a very different style from the others. She used old materials and objects found within the building - previously a bakery,  but had been empty for a long time - and used them to create her vision. There were objects such as an old door mat and oven tray used as part of her work,  these were suspended from the ceiling with paper attached , dropping down into a liquid substance on the floor in another tray. I would imagine that the paper was a form of parchment paper but I am unsure,  and the liquid looked as if there was ink or dye within it. I thought this idea was a great use of materials and I liked the patterns made by the liquid moving up the paper, there was a few different colours which made it appealing to look at. Another piece she had done, was using coloured thread attached at various points across the stretch of a wall, I must admit,  this wasn't my favourite work but it was interesting to look at and could be interpreted in many different ways.











 The final Artist that was there was Niall Campbell, who is a lecturer at Borders College. The idea behind Niall's work was Hidden history and hidden meanings.  To create his vision,  he used a series of etchings and pattern designs which he made himself and printed these onto a large wall space within the building.  There was a variety of different designs used throughout his art work but he was presenting his work as one large piece. The purpose of his art was to show a hidden meaning of depth and layers.  By using a layered effect on the wall through his print making, Niall  was able to create an interesting idea of how an image is not necessary what it first appears.  At first when I looked at the wall I could see various patterns,  repeated and repositioned.  The patterns on the wall looked like there had been wallpaper or a painted design beneath the crumbled,  uneven surface layer, this was exactly as it was meant to look. Niall explained that seeing something as it is, does not mean that you are seeing the true self. That there are hidden layers and messages that not everyone can see. As people,  we all have our individual characteristics which are on the surface, but does anyone see what lies beneath?  He wanted to make people think about internal space,  both physical and mental. This was a very inspirational piece which I was able to relate to.  Currently,  I am working on a photography portfolio where I am creating a visual image of depth within myself, focusing on the side of me that people dont see. I want to produce images  showing what lies beneath the surface and present my photographs effectively to enhance the emotion.  I felt that by going to the exhibition I was able to experience work with a similar idea, which gave me the extra confidence in what I was doing. The longer I spent admiring Niall's work, the more I was able to understand and connect with the message he was expressing.










 Overall I am very pleased I went to this exhibition. It was inspiring to see how differently people express themselves through their art. Each artwork was different and I was able to relate to some art more than others,  which in itself is good for my own self awareness, and helping me discover my own path through expression and vision.  I would definitely recommend going if another exhibition is held.  I left with a completely different view of how to express art and inspired to try different techniques and effects.

Friday, 8 April 2016

David Hockney Photographer and Artist

I was looking for a photographer who I could use for inspiration for my photography unit.  I came across the work of Photographer David Hockney, I was instantly drawn to his photo collages, I liked the style he used and effect he was able to create.
When I started to research Hockney, I found that he didn't just do photography, but he also painted and sketched drawings as well as stage design work and graphic design.  As I started to look through his work, I noticed that he didn't seem to have a specific style and it was interesting to see the variety of work that he produced. There was a large variety of work, from photo collages to design inspired paintings.  He also used a variety of media throughout his work, some of what he used, was acrylic paint, oil paint, water colours, charcoal and even crayons and pen.
I found my information on http://www.hockneypictures.com
The webpage itself was very well set up, it was easy to access and all Hockneys work was in order of when it was done, this gave me a better idea about the different stages of his art and vision. From the beginning to present, it is clear to see that Hockney has captured people and places throughout the years in their natural setting, almost presenting a visual diary of how things have changed over the last 50 odd years. In doing this , it has made me realise that he is not painting and drawing anything that interests him but is making recordings of the world through his vision.
I was very keen to learn more about this Artist and Photographer so I continued to find some background information.  I discovered that David Hockney was born on 9th July 1937.  In 1959 he started studying at the Royal College of Art, London. In 1961 he wins Junior Section Prize in the John Moore's painting exhibition in Liverpool. Later on, in 1967 he returns to the Walker Art Museum in Liverpool to walk away with first prize for his painting, "Peter getting out of Nick's pool." From then on, Hockney has expressed himself throughout his art with Picasso as his main inspiration.  He uses a variety of different techniques and processes and I am fascinated with the work he has done. I had selected a few images which I have found interesting and inspiring, each for a different reason. These include, "timber gone", 2008 charcoal on paper, "Margaret and Ken, Bridlington" 2002, ink on paper, "Skeleton", 1959, Charcoal, "what about the caves" 1991, oil and many more. Unfortunately, when I logged back onto the webpage , I was presented with this...

                                " STOP
       This site and contents are copyright David Hokney
and may not be reproduced anywhere at anytime in any form."
 

so I figured I would be better to delete all my pictures just to be safe....... such a shame.